Roots of Love
Told through the stories of six different men ranging in age from fourteen to eighty-six, Roots of Love documents the changing significance of hair and the turban among Sikhs in India. We see younger Sikh men abandoning their hair and turban to follow the current fashion trends, while the older generation struggles to retain the visible symbols of their religious and cultural identity.
“Beautifully conceived and shot…Pleasure to watch… A compassionate portrait of a community in transition…”
— Safina Uberoi, filmmaker and director of My Mother India and A Good Man
Awards: “Best Student Film” – 2011 Society for Visual Anthropology
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More Info: www.TilotamaProductions.com
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Looking for Participants for PSBT TV Documentary on the topic of Hair/Sikh Faith/Punjabi Culture
We are looking for historians, academics and researchers based in or around Punjab to discuss the topic of hair, Sikh Faith and Punjabi Culture. Diverse views and opinions are welcomed. Roots (working title) is a short documentary commissioned by PSBT for Doordarshan TV channel.
To participate please contact director Harjant S. Gill: Harjant@gmail.com, 91-9878318348
Filming will take place in and around Chandigarh next month (July).
Screening of ‘Rabba Hun Ki Kariye’

In their ‘Nashisht’ Series
Impresario Asia invites you to the screening of a documentary on the partition memories
RABBA HUN KI KARIYE (THUS DEPARTED OUR NEIGHBOURS)
A film by Ajay Bhardwaj
The screening will be followed by an interactive session with the director
DATE: Wednesday 25th March 2009
TIME: 7.00 p.m.
VENUE: Gulmohar, India Habitat Centre, Lodhi Road, New Delhi
R.S.V.P.
Pramilla Chhabra K.K. Kohli
2462-1685 98107-23979
COURTESY: DELHI DIARY
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Musafer – Sikhi is Travelling – A Documentary
A film by Michael Nijhawan & Khushwant Singh Edited by Celeste Diamos
Musafer is a digital, 4:3 format independent documentary film that has been shot in Frankfurt, Paris, London and San Francisco between 2003 and 2008. The film portrays the interconnected life of a younger generation of diasporic Sikhs by giving emphasis to their artistic expressions and in-depth conversations about the meaning of Sikhi in times of political upheaval and social uncertainty. Musafer does not attempt to portray the Sikh tradition in its multifaceted forms, but instead sheds a light on the inner and outer journeys of particular individuals, their homing desires, as well as their boundary crossing endeavors
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